Mario A. Robinson: Portrait Painting: Pastel & Watercolor on Paper Mario A. Robinson

Your artwork is not just about painting the subject accurately but also capturing the story of your subject in a meaningful and impactful way.

With Mario Robinson as your guide and instructor, you will learn how to paint more than just the portrait in watercolor and pastel on paper. Discover watercolor techniques for establishing local color and value. Explore pastel lessons for depicting texture and color mixing techniques. Combine these steps with tips on composition, choosing subject matter, and layering, to complete a painting that is more than just a portrait. You will learn to work in more than one medium, watercolor and pastel techniques, and create portrait art that is meaningful and expressive.

In Portrait Painting – Pastel & Watercolor on Paper you will find:

• Start to finish step-by-step instruction
• Techniques for painting different textures including smooth skin to wind-blown hair
  

About Mario A. Robinson

Mario Andres Robinson was born in Altus, Oklahoma, where he resided with his family before relocating to New Jersey at the age of twelve. His artistic gift was discovered by a fifth grade teacher and a creative explosion was sparked in the pre-teen. Robinson studied at the prestigious Pratt Institute in Brooklyn, New York.

Early in his development, Mario began looking to the great masters for inspiration and technical insight. An avid student of realism, he studied the elemental principles of painting by exploring the work and technique of Old Masters such as Rembrandt, Vermeer and Degas. However, it was the work of 19th and 20th century American artists that provided Robinson with the strongest stylistic foundation, helping him forge and define his own artistic sensibility.

The work of Mario Andres Robinson fits squarely within the tradition of American painting. Robinson’s finished works bear a close affinity to the masters of the realist tradition, Andrew Wyeth and Thomas Eakins. Containing few references to modern life, Robinson’s work has a timeless and universal quality, and exhibits a distinct turn-of-the-century stylistic aesthetic. The images he chooses, which refer to a bygone era where solitude and reflection were abundant, also provoke frequent allusions to the paintings of Winslow Homer and Edward Hopper.

Beginning in 1994, Robinson’s work began to extensively incorporate rural subjects primarily located in the state of Alabama. Each subject is very personal for the artist in both selection and execution. As the work progresses, his relationship with the sitter develops and a uniquely personal story begins to evolve. Robinson frequently depicts subjects framed within the context of their daily lives. The underlying narrative counters sentimentality and serves as the underpinning for his figurative images.

Mario Andres Robinson is an Exhibiting Artist Member (EAM) of The National Arts Club, an Artist Member of The Salmagundi Club and a Signature Member of The Pastel Society of America. His work has been featured several times in The Artist’s Magazine, The Pastel Journal, Watercolor Magic, American Art Collector, Fine Art Connoisseur and on the cover of American Artist magazine. In the February, 2006 issue of The Artist’s Magazine, Mario was selected as one of the top 20 realist artists under the age of 40.